Helpfully, clicking on a filename shows a large preview of its contents in the import dialog. You can specify creating proxy and optimized media, analyze video for color balance, and fix audio problems on import. Within the Library, the import is an Event. In fact, at import, you can tell Final Cut to copy the media to a specified Library. Libraries are a big part of organizing your assets, but before you use them you have to import media. Luckily, you don't have to worry about projects you created before this Library arrangement: Final Cut offers a simple update option to get them with the program. Libraries are similar to the Catalogs in Adobe Photoshop Lightroom ($9.99/Month at Adobe) in that they are databases that can be backed up to a separate drive, and they receive automatic backups. They combine the previously discrete Events and Projects panels. Libraries, Import, Organizeįinal Cut Pro X Libraries let you keep assets together for use in multiple projects. As you might expect with the iMac's specs, performance was responsive whether I was importing, scrubbing, previewing compound picture-in-picture montages, or adding effects, but it's also reasonably performant on the less powerful laptop. I tested Final Cut on 2019 iMac with a 3.6GHz Core i9 processor, a Radeon Pro Vega GPU, and 16GB RAM running macOS Catalina and on a 13-inch MacBook Pro with at 3.1 GHz Core i5 CPU and 8GB RAM and Touch Bar. The program requires at least a Core 2 Duo-based machine running macOS Mojave 10.14.6 or later, an OpenCL-capable video processor, 3.8GB free disk space, and a minimum of 4GB RAM (8GB is the recommended amount). Once you've bought Final Cut Pro X, you're entitled to all updates, including to the present version, 10.4.9.Īt over 3GB, Final Cut Pro X is a hefty download, so make sure you have enough local storage. By comparison, you can only get Adobe's competing Premiere Pro (19.99 Per Month at Adobe) with a Creative Cloud subscription for $19.99 per month. There's no upgrade pricing, but, really, compared with the old Final Cut's $999 price, $299 is basically upgrade pricing. You can install it on multiple Macs for $299, and you receive updates automatically. Pricing and SetupĪs with any modern Mac app, Final Cut Pro X is obtainable only through the Apple App Store. The result is a surprisingly powerful and (once you get the hang of it) easy-to-use application. The company did this to take advantage of the more powerful hardware in newer Macs as well as to reimagine the craft of video editing. Rich support for 360-degree VR content, updated color grading tools, and support for HDR and HEVC (High Efficiency Video Codec, aka H.265) arrived in version 10.4, along with a slew of smaller tweaks and added capabilities, stability, and fixes.įinal Cut Pro X still shuns the traditional timeline-track interface of its predecessors, a change that drove off a lot of video professionals. Those have been joined by many more capabilities, including powerful 3D titling and an impressive Flow transition to smooth out jump cuts. The application has long since regained initially missing pro-level features-including multicam editing, XML importing, and external monitor support. Other recent updates let you use macOS Catalina's Sidecar feature that turns an iPad into a second display grade HDR video with enhanced color mask and range isolation tools and use HSL (hue, saturation, and luma) controls in the Color inspector to select a range of color with greater precision. FCPX's companion apps also get new features: The Motion app now can edit 3D object animation and has a new Stroke filter, and Compressor can apply camera and creative LUTs. It also adds stabilization for 360-degree clips improved performance with RED RAW and Canon Cinema RAW Light codecs Inspector panel improvements, and audio crossfades. Updates to how you can work with proxy files are especially useful for video pros who are increasingly doing work remotely. The glitziest new feature in the latest release, version 10.4.9, is Smart Conform, which uses AI to crop widescreen content to fit mobile device screens and social media formats. Since our last review update, Apple has been busy. Final Cut Pro X remains a PCMag Editors' Choice for professional video editing software. It does a remarkable job of bridging these two worlds, and, though professionals may complain about its nontraditional trackless timeline and amateurs may scratch their heads over its wealth of sophisticated options, it is in fact a magnificent tool for both groups. Final Cut Pro X, Apple's professional and prosumer-level video editing software, targets both consumers who want more power for their video-editing projects than iMovie offers and professionals who create content for the cinema and television.
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